REPERTOIRE
"Two souls meld into Maristella Patuzzi:
the Italian - creative, artistic and imaginative - and the Swiss - disciplined, accurate and attentive to details"
Claudia Abbiati - Amadeus
Johann Sebastian Bach (Eisenach, 1685 – Leipzig, 1750)
Sonate e Partite BWV 1001-1006 per violino solo (1720)
6 Sonate BWV 1014-1019 (1720)
Giuseppe Tartini (Pirano, 1692 – Padova, 1770)
Sonata op. 1 n. 5 del “Trillo del diavolo”
Sonata op. 1 n. 10 “Didone abbandonata”
Jean-Marie Leclair (Lione 1697 – Paris 1764)
Sonata in D major
Wolfgang Amadeus Mozart (Salzburg, 1756 – Wien, 1791)
Violin Concerto KV 216, 218 & 219 (1775)
Adagio KV 261 (1776)
Sonata KV 304 (1778)
Ludwig van Beethoven (Bonn, 1770 – Wien, 1827)
Sonate op. 12 n. 1 & 2, (1797-98)
op. 24 (1800-1)
op. 30 n. 3 (1802)
op. 47 (1802-3)
Violin Concerto op. 61 (1806)
Niccolò Paganini (Genova, 1782 – Nice, 1840)
Capricci op. 1 (1802-9)
“Nel cor piú non mi sento”
Franz Schubert (Wien, 1797 – 1828)
Konzertstück D345 (1816)
Rondò brillante op. 70, D 895 (1826)
Felix Mendelssohn Bartholdy (Hamburg, 1809 – Leipzig, 1847)
Violin Concerto op. 64 (1838-44)
Henri Vieuxtemps (Verviers, 1820 – Mustapha Supérieur, 1881)
Violin Concerto n. 5 Grétry op. 37 (1860)
César Franck (Liegi, 1822 – Paris, 1890)
Sonata in A major (1886)
Johannes Brahms (Hamburg, 1833 – Wien, 1897)
Scherzo in C minor (1853)
Sonate op. 78 (1879) & op. 108 (1886-88)
Henryk Wieniawski (Lublin 1835 – Moscow 1880)
Scherzo Tarantella op. 16
Camille Saint-Saëns (Paris, 1835 – Algiers, 1921)
Danse macabre in G minor op. 40 (1876)
Havanaise in E major op. 83 (1888)
Max Bruch (Cologne, 1838 – Friedenau, 1920)
Concerto n. 1 in G minor op. 26 (1868)
Pëtr Il’ič Čajkovskij (Kamsko-Votkinsk, 1840 – St. Petersburg 1893)
Violin Concerto op. 35 (1878)
Edvard Grieg (Bergen, 1843 – 1907)
Sonata in C minor op. 45 (1886-87)
Pablo de Sarasate (Pamplona, 1844 – Biarritz, 1908)
Zigeunerweisen op. 20 (1878)
Carmen Fantasy, op. 25 (1883)
Eugène-Auguste Ysaÿe (Liege, 1858 – Brussels, 1931)
Sonate op. 27 (1924)
Jean Sibelius (Hämeenlinna, 1865 – Järvenpää, 1957)
Violin Concerto op. 47 (1903-5)
Sergej Rachmaninov (Novgorod, 1873 – Beverly Hills, 1943)
Romanza in D minor op. 6 n. 1 (1893)
Maurice Ravel (Ciboure, 1875 – Paris, 1937)
Tzigane (1924)
Sonata (1923-26)
Ernest Bloch (Geneva, 1880 – Portland 1959)
Sonata n. 1 (1920)
Baal Shem, Three Pictures of Chassidic Life (1923)
Abodah (1929)
Mélodie (1929)
Suite I (1958)
Bartók Béla (Nagyszentmiklós, 1881 – New York, 1945)
Magyarországi román népi táncok
George Enescu (Liveni, 1881 – Paris, 1955)
Sonata n. 3 op. 25 (1926)
Othmar Schoeck (Brunnen, Schwyz, 1886 – Zurich, 1957)
Sonate op. 16 (1909), op. 46 (1931)
Sergej Prokof’ev (Soncovka, 1891 - Moscow, 1953)
Violin Concerto op. 19 n. 1 (1916-17)
Sonata op. 94 n. 2 (1944)
Sonata op. 115 (1947)
Mario Castelnuovo-Tedesco (Florence, 1895 – Beverly Hills, 1968)
Concert paraphrase on "Largo al factotum" from Barbiere di Siviglia by Gioachino Rossini
Nathan Milstein (Odessa, 1904 – London, 1992)
Paganiniana (Variations) (1954)
Franz Waxman (Königshütte, 1906 – Los Angeles, 1967)
“Carmen” Fantasies based on Themes from the Opera of Georges Bizet (1946)
Witold Lutoslawski (Warsaw, 1913 – 1994)
Subito (1992)
Astor Piazzolla (Mar del Plata, 1921 – Buenos Aires, 1992)
Libertango, Suite del angel (Milonga del ángel, Muerte del ángel, Resurrección del ángel), Escualo, Ave Maria, Estaciones Porteñas (Verano, Otono, Inverno, Primavera), Tanguango, Fugata-Adiós Noniño Fantasia per violino solo, Histoire du Tango (Bordel 1900, Café 1930, Nightclub 1960, Concert 1990)